Latest Review

Despite my late night blackest imaginings, apparently I can actually write a good story.

“I loved these two books. A wild and crazy ride, with great characters and a very imaginative story. I need more….please!”

Heart of Fire Time of Ice
All the Moments in Forever

The introductory speculation (first sentence, above) probably makes more sense to other authors. I’ll elaborate.

The problem is: writing a reasonably good book is only half the equation. The book still has to find readers and that requires marketing–aggressive marketing. At the current rate of change in the book marketplace, doing a reasonably good job of marketing requires all of your time, so how does one find the time to write?

I’d rather be writing. It’s fun to develop a book and watch the characters you’ve imagined develop. It’s enjoyable to tell an entertaining story. Getting positive feedback is wonderful.

On the other hand, marketing is expensive, a lot of drudgery, boring (at least to me), and frustrating. The learning curve is very steep and to make matters worse, the topography of the available venues and tools changes continuously.

Then there is the competition — millions upon millions of books, who knows? Thousands, maybe even tens of competitors are searching for your perfect reader. (Trying to be funny here.) In point of fact, the better you narrow down your optimal market, the fewer the competing books, but then the fewer the buyers also.

Heart of Fire Time of Ice seems to enrage some readers, while others find it so enjoyable they immediately start on the sequel: All the Moments in Forever. I can live with that, if I have to, that is.

Then there’s Cyber-Witch: The Origin of Magic <sigh>. It won the silver President’s medal from the Florida Authors and Publishers Association this year (2018). People who read it like it, but readers aren’t finding it or are bypassing it for some reason. Few sales to date and I’m deep in the end stages of writing a sequel.

Why am I doing this? I mean writing a sequel for a book that doesn’t sell. Why??? <insert mental picture of a man choking himself with his own hands>

Two reasons really. One is that Cyber-Witch is really close to potential reality. It is a possible version of our world at the very beginning of the AI apocalypse. The sequel extends that world into an interesting future.

The other reason is I think the basic idea is a good one and the characters deserve their story to be told.

The two books are entertaining and hopefully thought-provoking. The reader is led to contemplate questions about sentience and whether an AI can be considered to be equivalent to a human. I’m not positive yet, but I’m pretty sure that the character “Snake” in the second book will tug at the reader’s heartstrings with his (its-although he has decided that he has masculine characteristics) struggles.

As I write, I’m continually amazed at the plot twists that develop seemingly without my active intervention. Things just suggest themselves as part of the story. I’m left wondering how I can blend the various elements into a seamless whole, but they are resolving nicely at this point. Still, I want to be done–just to see how it all turns out.

The one thing I’m sure of is I’m not making much money out of all this effort. However, I still love to write.

If

I

could

somehow

be

a

better

marketer.

Then, maybe…

 

Namaste!

Eric

 

Fun Words and Wasting Time

Still writing on the sequel to Cyber-Witch. Somehow it’s turned into a difficult task, although once I get to writing, the words flow well.

Meanwhile, here’s a fun word – one of my favorites, although I like them all:

Absquatulate — meaning to leave somewhere abruptly.

For some reason it always reminds me of the early Tarzan movies where Tarzan would say, “Umgahla.” (Or something like that.) The result was always that the elephant he was riding and any other nearby animals would abruptly leave the scene.

Based on that observation, Umgahla (or whatever it was that he said that sounded remotely similar) is Tarzanese for Absquatulate.

It’s just that having Tarzan holler, “Absquatulate!” seems a little out of character. It might have worked though. I’m of the opinion that most of the audience for those movies wouldn’t have known the difference. I could be wrong on that.

That’s enough rambling. Time to get back to Sophie and her problems. Most recently she’s been faced with a surreptitious attack that exploits her previous drug addiction. I’ve got to write the next few scenes in order to find out how she handles it.

On the other hand, it’s probably a good idea to write a section about another character and leave Sophie writhing in pain until I can get back to her. I’d like to find out how Snake is dealing with his (its?)* involuntary enslavement by Abubecar.

(its?)* — I can’t quite make up my mind how to deal with Snake, inasmuch as he/it is a nanite-based AI construction with some organic parts created from cells extracted from other creatures. The only thing I know is he is somehow becoming convinced that Sophie will be good to him if he ever contacts her again, despite his origin as part of a nanite-dragon that she mostly destroyed.)

The weird and strange way this story is developing is starting to get a little intimidating. Hope it works out the way I think it will.

More to come later.

Namaste!

Eric

Brief Update on Writing Activity

Troll and girl

Cover concept for Cyber-Magic

I’m now working on my eleventh book “Cyber-Magic.” <see the cover concept to the left> It’s the sequel to my cyber-punk novel “Cyber-Witch”.  Which hasn’t been getting much attention, by the way, although the people who’ve read it like it (note the clever use of homophonic alliteration;-)

Anyway, this one has become a problem. I’ve ventured away from what I view as hard to semi-hard science fiction and fallen out of cyber-punk gritty reality (with a drug-addicted MC) into a post-modern world where civilization has totally changed due to A.I. mediated “magic.” It’s essentially a fantasy and this is my first foray into this genre. I’m finding it difficult to gather all the strings together.

One of the problems is that “magic” allows the author to define the rules of the world. My version of magic is so powerful that there are few rules. With enough ability, a character can do almost anything. That’s not a good story line. It leads to the reader thinking, “Why not just wave your hand and solve all of the problems in chapter one? Then I wouldn’t have to waste time reading the entire book.”

Well, it’s not really that bad, but I’m seriously having difficulty defining the scope of what is possible.

Today my goal is to get my WIP in progress again.

I’m sitting on 25k words, six magicians (1 evil, 1 bad, 2 neutral or possibly allies, and 2 superstars), trolls that breed like tribbles (for you Trekkies out there), one fairy, a were-bear, an A.I. creature in the form of a snake, and an implacable dark force in the form of a distributed AI and my plot line suddenly seems inadequate, so I’ve been wandering in the wilderness for a while.

Besides paying business has picked up greatly and gets in the way. Then I’m moving. It looks like it may rain and the grass might grow and need attention. <Delete more excuses and cue sad violin music.>

This is what writer’s block looks like and I DON’T LIKE IT. I don’t like it in a box. I don’t like it with a fox. I will not tolerate Writer’s Block. I will not, Sam-I-Am.

More about this struggle to come soon. <Provided the grass behaves.>

Namaste,

Eric