Despite my late night blackest imaginings, apparently I can actually write a good story.
“I loved these two books. A wild and crazy ride, with great characters and a very imaginative story. I need more….please!”
The introductory speculation (first sentence, above) probably makes more sense to other authors. I’ll elaborate.
The problem is: writing a reasonably good book is only half the equation. The book still has to find readers and that requires marketing–aggressive marketing. At the current rate of change in the book marketplace, doing a reasonably good job of marketing requires all of your time, so how does one find the time to write?
I’d rather be writing. It’s fun to develop a book and watch the characters you’ve imagined develop. It’s enjoyable to tell an entertaining story. Getting positive feedback is wonderful.
On the other hand, marketing is expensive, a lot of drudgery, boring (at least to me), and frustrating. The learning curve is very steep and to make matters worse, the topography of the available venues and tools changes continuously.
Then there is the competition — millions upon millions of books, who knows? Thousands, maybe even tens of competitors are searching for your perfect reader. (Trying to be funny here.) In point of fact, the better you narrow down your optimal market, the fewer the competing books, but then the fewer the buyers also.
Heart of Fire Time of Ice seems to enrage some readers, while others find it so enjoyable they immediately start on the sequel: All the Moments in Forever. I can live with that, if I have to, that is.
Then there’s Cyber-Witch: The Origin of Magic <sigh>. It won the silver President’s medal from the Florida Authors and Publishers Association this year (2018). People who read it like it, but readers aren’t finding it or are bypassing it for some reason. Few sales to date and I’m deep in the end stages of writing a sequel.
Why am I doing this? I mean writing a sequel for a book that doesn’t sell. Why??? <insert mental picture of a man choking himself with his own hands>
Two reasons really. One is that Cyber-Witch is really close to potential reality. It is a possible version of our world at the very beginning of the AI apocalypse. The sequel extends that world into an interesting future.
The other reason is I think the basic idea is a good one and the characters deserve their story to be told.
The two books are entertaining and hopefully thought-provoking. The reader is led to contemplate questions about sentience and whether an AI can be considered to be equivalent to a human. I’m not positive yet, but I’m pretty sure that the character “Snake” in the second book will tug at the reader’s heartstrings with his (its-although he has decided that he has masculine characteristics) struggles.
As I write, I’m continually amazed at the plot twists that develop seemingly without my active intervention. Things just suggest themselves as part of the story. I’m left wondering how I can blend the various elements into a seamless whole, but they are resolving nicely at this point. Still, I want to be done–just to see how it all turns out.
The one thing I’m sure of is I’m not making much money out of all this effort. However, I still love to write.